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Eating My Skin

Trying to digest my horror

Cradle of Humanity

A poem written during a day spent workshopping at the Nirox Sculpture Park, visit it and you will see many of these gods sitting with you.

Cradle Of Humanity

I wonder how deep these waters are,

I have heard a giant drowned here,

hit the ground

and only their fingers are protruding,

I have used them as stepping-stones.

The elephants are ancestors

and they call this their graveyard,

I sat with a man

dressed in stone

at the lakeside,

he only breathes at night,

is as large as light,

tells stories only to statues,

is sure their shoulders

can boulder the wait.

I haven’t moved in days now.

And the waters are rising,

but I’ve started writing

these stories one pebble

at a time,

this is how giants

learn to drown.

Children of the stars,

you’ve carved your names

into meteorites once,

your skeletons made of black granite,

caves within your mouth,

this is where we come

back to pray.

I live in the right nostril

of a sinking god,

I tickle their breath when I laugh,

I go searching for their skull

for I have heard

this is where

ancient hieroglyphs have been carved.

Not unlike you,

I too misplace

my giants far too often,

they’re adept at hid and seek,

are large enough

to hide within themselves.

They’ve made mountains of these oceans,

swallowed a cloud

and burped out a rain queen,

she only dances

for falling bodies.

We have jumped off her shoulders,

for she prayed for us

to come home.

What sparkling beams of light

lit up the night

when god sneezed,

this holy be contagious.

A rusted chain

inside your throat

you used to drag out

a holy mountain top,

you have given CPR

to a rockslide,

I have heard

a god almost drowned here

and you thought

your breath not divine,

not a thing to build

continents with.

How many almost-humans

have you saved with your tongue,

how many more descendants

dangle from your lips

as a lifeline,

or scratch your skull

searching for their origins,

you’re where the beginning begins,

how can it be

that dead ancestors

are the only ones that exist,

you know this,

your muscle memory

is made up of iintsomi

that you will tell to your kids,

you hold them

from disappearing

and even their children feel this.

Look how you make sculpture of a dream,

freeze the wind

so it can find a body  to live in,

You’ve done this many times before,

the tide is falling

and you’ve started breathing,

I almost fall off a stepping-stone

because your fingers are wriggling,

you hold me in your palm

and my home is your mouth,

and your nose, and your breath

is a rockslide

and all your children

come tumbling out,

the waters are only as deep

for as long as you allow yourself to drown,

to fall through the sky

and never allow yourself

to hit the ground.

As I turn to statue,

I wonder who I can give

these pebbles to,

and the tide takes me.
Children of the stars,

come back to the waters,

your ancestors are calling.

Oyster Fists

I never promised to hold your tears,
would I could,
squeeze them in my palms

and make pearls of your sorrow,

push them into the shoulder
of a cloud heavy with lightning,

would take that cloud

from your chest

and let it rain rare

on all the graves you’ve filled,

wondrous in its striking,

what a cemetery is this,

holy and held around your neck.

But you would know
I gifted you back your pain,

wouldn’t you?

For all the metaphors
I used to cloak my words,

you would see that my hands

were empty.

Of Hearts and Beds

Don’t you struggle
to breathe
with all that universe
spilling out of your lungs?

There are days
when the whole world
is caught in your throat,
aren’t there?

When all that you are
leaves you

breathless.

You keep shedding suns,
don’t these tears
burn your pillows?

Turn your bedroom into inferno.

Somewhere there is a universe
and it spins and it breathes
and it swallows suns
and it gets closer to you.

Do you remember
when that galaxy touched you,
do you remember how it gasped,
do you remember how those fires left.

Working Title: Prayer For Holding

Kissed the wet cement

of your spine,

my lips indented

in your T1 vertebrae,

my forehead sinking

into your nape.
If I stayed here

for long enough,

would archaeologists find me

still clinging, moulded

to your back.

 

Instead, I let you

become sculpture alone,

not enough arms

to hold you with,

to wrap around a pillar

of salt, of cement, of clay.

 

And the pilgrims would come

to rub your nose,

kiss your toes

and never know

I was there, once.

 

And that now I walk

with my mouth

chiselled shut

and my forehead

dragging me to the ground

so I can learn

to forever be in prayer.

 

And when I turn into a mountain here,

layered by other dying men,

will they find your names

carved into our bones?

Recently published in an article in The Indian Express. Find it below

http://indianexpress.com/article/lifestyle/art-and-culture/the-firefighter-south-african-performer-writer-and-social-activist-xabiso-vili-slam-poetry-4662905/

I see you Mr officer

-After Che Stuurman-Moses

I see you Mr Officer.

I see you calling me over,

asking me irrelevant questions

about my night,

about where I stay,

about what I’m doing here,

about how I got here,

about how I’m leaving,

about where I’m going,

about my date,

about who I was on a date with,

about why she’s not here,

about why I’m waiting for a cab,

about why she can’t just give me lift,

about whether I’m in possession of anything you should know about.

and me not asking you

about have I committed a crime

about why I look like a suspect,

about will I make it home tonight,

about why I feel more frightened when cops are around,

about how it takes 5 of you to ascertain my existence

about why my existence is questioned

And you know what Mr Officer?

I’m going to stand here,

grinding my fists,

biting my teeth,

clenching my tongue,

planting myself root-deep into the ground

answering these questions

like walking on a tight rope

like dancing in a minefield

because we all know that

in 2015 South Africa at 11pm

on a Monday

in a neighbourhood so white

it reminds me of a joke

about Mitt Romney in a snow storm,

all it takes is a quiet sidewalk

with no witnesses,

a superiority complex

that always needs feeding,

a society that can’t come to terms

with its own manhood

a disregard for human life

and an eloquent, self-righteous

black boy or coloured boy

or just not so white boy

with a denim jacket

or a leather jacket

or a dark hoodie

or a suit

or no clothes at all

and an arrogant smile

for a fun night

of police brutality.

I see you.

Keeping my mother up

at night

because she knows

I got my impulsion

and my quick draw tongue

from her,

she knows how her son explodes,

knows how polished your batons are,

how hungry for blood they get

when they haven’t been fed,

how it will be my own damn fault

because I should have known,

that’s illegal though,

walking while black.

#ForBlackGirlsOnly

A triolet is an 8-line stanza poem with a rhyme scheme of ABaAabAB. The first, fourth and seventh lines are identical, as are the second and final lines.

Here is my first attempt

There are women I would burn for
I do not tell them because they might not let me die
Women who get caught in my throat, come out as a roar
There are women I would burn for
Women who could carve me hollow, still I give more
Set myself on fire jumping over the edge for her and never ask why
There are women I would burn for
I do not tell them because they might not let me die

Collaborative Freestyle

Xabiso Vili and NoLife Chord collaboratively freestyle at the Current State of Poetry inter varsity slampionship after multiple bouts of competing with their 4 teammates each. The winner of this final tiebreaker round would go on to represent their Province against the other Province’s winners in 2016.

Dear Grandfather

Dig the sleep out of your eyes

Old Dream Miner,

there is dew on your blankets

and dust between your bones,

some have mistaken this hellish paradise
for gold.

Not you,

you’ve been to the end
of the world

and rainbows
 and your skin,
wrinkled with stars,
pupils made of smoke,

your iris the colour of ashes.

You wear the mark
of Disappearing,

how you wear death so well,

you’ve left me a reluctant strength,

Old Dream Miner,

this inheritance,

a sleep I can’t awake.

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